Bob Dylan-The Bootleg Series Vol 9 The Witmark Demos 1962-1964-2CD-FLAC-2010-FORSAKEN
Description :
Artist : Bob Dylan
Album : The Bootleg Series Vol 9: The Witmark Demos:
Label : Columbia
Genre : Folk
Source : CD
Street Date : 2010-10-18
Quality : 503 kbps 44.1kHz 2 channels
Encoder : FLAC 1.2.1
Size : 574.91 MB
Time : 150:02min
Url : http:www.bobdylan.com
Disc 12
1. Man On The Street (Fragment) 1:07
2. Hard Times In New York Town 1:57
3. Poor Boy Blues 3:01
4. Ballad For A Friend 2:23
5. Rambling Gambling Willie 3:38
6. Talking Bear Mountain Picnic Massacre Blues 3:42
7. Standing On The Highway 2:32
8. Man On The Street 1:30
9. Blowin’ In The Wind 2:38
10. Long Ago Far Away 2:29
11. A Hard Rain’s A-Gonna Fall 6:49
12. Tomorrow Is A Long Time 3:46
13. The Death Of Emmett Till 4:32
14. Let Me Die In My Footsteps 1:37
15. Ballad Of Hollis Brown 4:08
16. Quit Your Low Down Ways 2:50
17. Baby I’m In The Mood For You 1:36
18. Bound To Lose Bound To Win 1:19
19. All Over You 3:52
20. I’d Hate To Be You On That Dreadful Day 2:00
21. Long Time Gone 3:46
22. Talkin’ John Birch Paranoid Blues 3:17
23. Masters Of War 4:23
24. Oxford Town 2:33
25. Farewell 3:58
Disc 22
1. Don’t Think Twice It’s All Right 3:38
2. Walkin’ Down The Line 3:23
3. I Shall Be Free 4:30
4. Bob Dylan’s Blues 1:58
5. Bob Dylan’s Dream 3:53
6. Boots Of Spainish Leather 5:49
7. Girl From North Country 3:09
8. Seven Curses 3:13
9. Hero Blues 1:36
10. Watcha Gonna Do? 3:36
11. Gypsy Lou 3:45
12. Ain’t Gonna Grieve 1:28
13. John Brown 4:19
14. Only A Hobo 2:25
15. When The Ship Comes In 2:56
16. The Times They Are A-Changin’ 3:03
17. Paths Of Victory 4:11
18. Guess I’m Doing Fine 4:08
19. Baby Let Me Follow You Down 1:56
20. Mama You Been On My Mind 2:14
21. Mr. Tambourine Man 5:55
22. I’ll Keep It With Mine 3:34
Like any fledgling songwriter Bob Dylan signed with a publishing
company at the outset of his career. Publishers are standard
practice for songwriters — it s where the money comes in as
songs are published performed and covered — but in the early
60s there was an expectation that publishers would help place
songs in the hands of appropriate singers a practice Dylan
effectively ended by popularizing writers singing their own
songs but in 1962 this self-sufficiency was a rarity. Even his
1962 debut contained only three Dylan originals which in his
case reflected his traditional folk roots but Dylan needed a
publisher for those three songs so John Hammond who signed the
singersongwriter to Columbia pointed him toward Leeds Music
Dylan cut a demo session for Leeds between the recording and
release of Bob Dylan and when that album wound up stiffing Leeds
let him buy out his contract in the summer of 1962 which then
led to him signing with M. Witmark & Sons publishing company
Between 1962 and 1964 a period that roughly spanned Blowin in
the Wind to Mr. Tambourine Man Dylan cut several demo
sessions for Witmark usually with the intent of the publisher
pitching songs to other singers. Many of his early classics were
first essayed here — A Hard-Rain s Gonna Fall Masters of
War Don t Think Twice It s Alright Boots of Spanish
Leather Girl from the North Country The Times They Are
A-Changin — and he also cut songs he never revisited. Some
wound up with other artists — Seven Curses Tomorrow Is a
Long Time Mama You Been on My Mind — some were lost to
time leaking out on bootlegs until they officially surfaced on
2010 s The Bootleg Series Vol. 9: The Witmark Demos: 1962-1964
Many of these recordings have been heavily bootlegged some
excerpted on previous Bootleg Series but they ve never been
presented as completely and in as great fidelity as they are on
this two-disc set. Great fidelity seems almost unnecessary for
such simple recordings although the cleanliness enhances the
intimacy so familiar songs are lent freshness when surrounded by
the thumping of a microphone or closing of a door. This disarming
intimacy — verging on eavesdropping — is as attractive as the
15 songs that never appeared on an official Dylan album. Some of
these songs are throwaways — Bound to Lose Bound to Win lacks
finished verses with Bob promising that he ll write them down
later — but there s considerable charm in hearing Dylan tossing
off a song plus some of these half-forgotten discards like
Guess I m Doing Fine and All Over You are still quite
strong. Nevertheless the real appeal of this volume of the
Bootleg Series is to listen as Dylan develops as a songwriter and
artist. The songs spilled forth at an astonishing rate and the
great majority were not only superb they were different from
what came before with his Woody Guthrie homage quickly replaced
by a quick-witted protest singer who then started to delve into
the personal in revolutionary ways. At its core these demos are
the sound of Dylan becoming Bob Dylan and it’s an evolution
that s spellbinding
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